Florentyna, ""the woman Time said ran behind only Jackie Kennedy and Margaret Mead in the nations esteem,"" is urged to run for Congress. Richard fights, successfully, to regain control of his father's banking empire (with financial aid from Florentyna). Florentyna takes over Abel's Baron Group empire.
And the novel's second half, though moving past Kane and Abel into the Seventies and beyond, is surprisingly flat, with none of the melodramatic brio of the Kane/Abel story. All rehashed stuff-except for the details and viewpoints. 'My father hates your father'""), the marriage, the fathers' curses, Florentyna's fashion-shop success, the fathers' reconciliations. Then comes the recycled courtship (""'Darling,' said Richard very quietly. But first we get her precocious Chicago childhood in the Thirties, her super-education from English governess Miss Tredgold, her early love of politics, her academic achievements (special Radcliffe scholarship). As in Kane and Abel, Florentyna will grow up to meet and marry-by chance, of course-Richard Kane, son of Abel's lifelong banker-nemesis.
Archer may have only a speck of talent, but he sure has chutzpah-which is what it takes to baldly recycle material from one book into another: this is a sequel to his bestselling Kane and Abel (1980), and the first half is essentially just a recap of hotel-tycoon Abel's story, with the emphasis now on Abel's daughter Florentyna.
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